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results 1-20 of 33 item(s)  page 1 of 2 : ( <<  1  2  >> ) :: previous : next
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 Image: Title: Description:

1. [Bookplate for John A. Macdonald] [Bookplate for John A. Macdonald] Black ink on cream paper. Above the escutcheon sits a dexter hand, erased, holding a cross crosslet, gules (red), on a vizored helm with mantling. Escutcheon is divided per quarter. The quarterly field near dexter chief is argent (silver) with a lion rampant, gules, and near sinister chief, or (gold), is a dexter hand, erased, holding cross crosslet, gules. The quarterly field near the sinister base displays a fish naiant on water, vert (green), and near the dexter base, argent, is a lymphad in sable (black), azure (blue), and gules.

2. [Bookplate for Margaret M. Howard by Leslie Victor Smith] [Bookplate for Margaret M. Howard by Leslie Victor Smith] Black ink on textured cream colored paper. The image depicts a tall ship at sea with all sails unfurled, listing to the right in a swell of water. The ship is contained within a circular border containing four quatrefoil points. Above, the phrase ‘Ex Libris’ is displayed within a scrolled banner across the top of the bookplate and the circle is framed by hanging garlands of varied types of flowers and ribbons. Below, a shelf depicts a row of bound books that part at the middle, with a blank sheet of paper and a feather quill resting in an inkwell. Below this, ‘Margaret M. Howard’ is written within a large scroll banner that is framed by thorny vines of roses.

3. [Bookplate for Jonathon H. Magor] [Bookplate for Jonathon H. Magor] Black ink on white coated paper. This bookplate depicts the couped head of a greyhound with two collars above a straight wreath.

4. [Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats] [Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats] Black ink on white paper. The border of the bookplate comprises three layers: the outermost is an abstract floral motif on the four corners ; secondly is a geometric pattern of triangles ; the innermost layer is a plain line. Curlicues surround the words “Catholic” and “of Montreal.” The bookplate is a pre-printed form with space for the prize name, winner, year and date to be filled out.

5. [Bookplate for J.E.G. Bibliothèque] [Bookplate for J.E.G. Bibliothèque] Black ink on white paper. Thin black border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded black font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small black circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a black owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin black lines. Below the images is a thin black oval border that is straight on the top and bottom sides. Inside is curling thin black text sitting on a thin black line. At the right end of the line is another thicker perpendicular black line dividing the oval into two uneven sections.

6. [Bookplate for J.E.G. Bibliothèque] [Bookplate for J.E.G. Bibliothèque] Black ink on white paper. Thin black border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded black font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small black circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a black owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin black lines. Below the images is a thin black oval border that is straight on the top and bottom sides. Inside is curling thin black text sitting on a thin black line. At the right end of the line is another thicker perpendicular black line dividing the oval into two uneven sections.

7. [Bookplate for Joseph Edgar Guimont by Chalifour Ltée Journal "Le Nord"] [Bookplate for Joseph Edgar Guimont by Chalifour Ltée Journal “Le Nord”] Blue ink on cream paper. Capitalized, block, sans-serif letters are printed at the top of the bookplate. Below the text is gothic font in sentence case with a thin blue line framing it atop and below. In the center of the bookplate is an image of a right hand reaching out of a cloud to pour oil into an oil lamp with the flame burning. The lamp is elaborately decorated with floral and curlicue embellishments. The lamp sits atop a closed book with the spine facing out. The cloud extends behind the lamp and book as well. A thin blue line separates the image from sentence-case serif font and another thin blue line is below that text. Below the line is thin italicized font and a dotted line. At the bottom of the bookplate is a thin blue line directly above some smaller, sentence-case serif blue font.

8. [Bookplate for J.E.G. Bibliothèque] [Bookplate for J.E.G. Bibliothèque] Green ink on white paper. Thin green border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded green font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small green circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a green owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin green lines. Below the images is a thin green oval border that is straight on the top and bottom sides. Inside is curling thin green text sitting on a thin green line. At the right end of the line is another thicker perpendicular green line dividing the oval into two uneven sections.

9. [Bookplate for George Francis Steele by E. J. W.] [Bookplate for George Francis Steele by E. J. W.] In black ink on white or cream paper it depicts a nude male figure riding a Pegasus in the upper left surrounded by a swirl of stars, planets, and other astronomical bodies. Another nude, winged male figure in the lower right holds a quill pen in his right hand and in his left, the end of a ribbon on which "EX LIBRIS / AD ASTRA" is written. A dark dome, possibly representing a planet, occupies the lower left. There are blue smudges, possibly ink, across the lower third of the bookplate.

10. [Bookplate for Marjory Todd and John Todd] [Bookplate for Marjory Todd and John Todd] In black ink on white paper, a border which includes images of a book, an hourglass, and a sundial surrounds a view of a garden which contains birds and a birdbath, flowers, and in the distance, trees and a trellis.

11. [Bookplate for Catherine Aishton] [Bookplate for Catherine Aishton] In black ink. A rectangle. Celtic dog knot-work on the top, bottom, and left sides of a box with the text in it. Between "EX LIBRIS" and "CATHERINE AISHToN" is a boxed line of more Celtic dog knot-work.

12. [Bookplate for E. F. Webb] [Bookplate for E. F. Webb] In black ink. Decorative escutcheon, or [gold], parted per cross, gules [red] and sable [black]. In the first quarter, an eagle, displayed, sable.

13. [Bookplate for Benjamin Gott] [Bookplate for Benjamin Gott] In black ink. Escutcheon inside a garter on which is the Latin motto. Inescutcheon parted per bend, argent [white], charged with two roses on either side of a lion, passant ; coticed, argent, and charged with three tufts of ermine each, sable [black].Two layer bordure, countercharged, argent and sable. Above the escutcheon is a curved crest wreath on which is a demi-gryphon, displayed.

14. [Bookplate for George Wilbraham] [Bookplate for George Wilbraham] In black ink. Escutcheon parted per pale, the sinister half azure, a bend, argent, engrailed, two bendlets, or, on either side. The dexter half parted per cross. The first and fourth quarters, argent, bendy of seven, argent and azure. The second and third quarters, barry of five, argent and azure, a canton, sable, with a wolf. Above the escutcheon is a straight crest wreath topped with a wolf. Below the escutcheon is a banner containing the Latin motto.

15. [Bookplate for Denis Le Marchant] [Bookplate for Denis Le Marchant] In black ink. No Escutcheon. Ducal coronet, on top of which is an upside down cock leg.

16. [Bookplate for Thomas Le Marchant] [Bookplate for Thomas Le Marchant] In black ink. This bookplate consists of an escutcheon, parted per pale. The first pale is divided in a paly of three, or (gold) and azure (blue). Dexter and sinister palys, or, are charged with a tree. While the center paly, azure, is charged with middle chief, a label and at the fess point a lion rampant. The second pale is parted per quarter. Quarters one and four are gules (red) and charged with three boar heads. Quarters two and three are argent (silver) on a chief, gules, charged with two mullets, argent. Above the crest is a straight wreath charged with a demi-lion, rampant, who clutches a scythe. The demi-lion is charged with two fleur-de-lis and below the escutcheon is a banner containing Le Marchant Thomas' Latin motto.

17. [Bookplate for Thomas Taylor by James Cole] [Bookplate for Thomas Taylor by James Cole] In black ink. This bookplate consists of an escutcheon, sable (black) charged at the nombril point with a lion statant. The rococo escutcheon has scalloped edges at the top and is surrounded by vegetative mantling. Hidden in the mantling is the creator's signature, Cole sc. Above the crest is a straight wreath charged with a leopard statant and below the escutcheon is a banner containing Taylor's Latin motto.

18. [Bookplate for R. J. A. Boreman] [Bookplate for R. J. A. Boreman] In black ink. This bookplate displays a bespectacled man, presumably the originator, reading a book by candle-light. With no tonal variation, he is set-off against a black background, framed with a thin, asymmetrical, ornate border. Above the profile-portrait is the originator's name, and below, his Latin motto and a separate component in which a book number has been stamped in red.

19. [Bookplate for James Phinney Baxter] [Bookplate for James Phinney Baxter] In black ink. This ex-libris includes a portrait of the originator in the upper-right-hand corner, identified by his name and geographic locale. The remaining two-thirds of the bookplate consist of a depiction of the interior of a library. In a section spanning the base of the bookplate is a cursive, printed motto and a hand-written book number. The printed text is drawn from the last two lines of the second stanza of a poem composed by Baxter, entitled, "The Library."

20. [Bookplate for Frank Louis Flight] [Bookplate for Frank Louis Flight] In light gray ink. A banner with the name of the owner and a small, circular, profile portrait are displayed on a background of vines. The stylized flora seems inspired by the late Nineteenth-century work of William Morris and others.
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